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Friday, 15 November / listopad (piątek) |
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| Moniek Darge/Godfried-Willem Raes (Ghent) Logos and Plus Minus robot - Audio Art Conference | |
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17:00Pałac Potockich free entrance |
| Ears, eyes, nose (Krakow) Marek Chlanda, Marek Chołoniewski - sound installation (open Nov.16-24.2024, 2.00P.M.-5.30P.M.)
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| Hypercycle (Poznań) Aleksandra Słyż - interactive installation (open Nov.16-24.2024, 2.00P.M.-5.30P.M.)
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| BOT - CITY (Kraków) Jacek Złoczowski - posthuman urban landscapes (open Nov.16-24.2024, 2.00P.M.-5.30P.M.)
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| Composition for 16 dosimeters (Poznań) Andrzej Wasilewski - sound installation, part of the project curated by Stanisław Ruksza „The Absolute Factory" (open Nov.16-24.2024, 2.00P.M.-5.30P.M.) | |
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| Contemporary Art of Healing (Praha) Jena Jang - voice, dance, electronics | |
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| Beelocation (Poznań) Patryk Lichota - interactive biological perfomance for 2 theremins, motion sensors and light | |
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| Logos Duo (Ghent) Moniek Darge, Godfried-Willem Raes - robots, installation | |
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Saturday, 16 November / listopad (sobota) |
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| Mixed Metaphores (Kraków, Warsaw) Hall 205 Martyna Zakrzewska & Anna Kwiatkowska - well temperated upright piano, violin and electronics; program: Heiner Goebbels - Six Bagatellen for violin and sampler, Sławek Wojciechowski - Elastic fictions for violin, piano, synthesizer and MIDI keyboard, Eivind Buene - Mixed Metaphores for violin and Minimoog, John Cage - Six melodies, version for violin and synthesizer, Aleksandra Słyż - Seven figures for violin, detuned upright piano and live-electronics
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| IGLU (Berlin, Koeln) Ignaz Schick - turntable, voltage controlled sampler, Carl Ludwig Hübsch voice
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| Always Be Prepared (Brussels) Barbara Drazkov - upright piano prepared, harmonium | |
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Sunday, 17 November / listopad (niedziela) |
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| Barbara Drazkov (Brussels) Always be prepared - Audio Art Conference | |
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| Franziska Baumann (Bern) Embodied Human-Computer Interaction in Vocal Music Performance - Audio Art Festival
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| Ekotonika (Kraków) Mat Barski & Marcin Karczewski - guitar, electronics, Ania Chmiel - overhead visuals | |
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| Hidden Joys of Vocal Expansion (Bern) Franziska Baumann - Solo concert for voice, sensor live electronic & ML-tools | |
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| ROTOЯ - SONIC BODY (Vienna) Peter Kutin, Patrik Lechner, Mathias Lenz - Sonic body, video, kinetic sound object | |
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Wednesday, 20 November / listopad (środa) |
15:00–16:30Akademia Muzyczna |
| Joanna Stępalska-Spix (Koeln) Flautonomy - new works for bass flute and electronics - Audio Art Conference | |
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Thursday, 21 November / listopad (czwartek) |
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| Michał Libera (Warszawa) Listening - A Brief History of Violence and Imperialism - Audio Art Conference | |
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| Plejrek 437 (Kraków) GrupLab - Plejrek 437;
Marek Chołoniewski, Paweł Feikisz, Michał Jandura, Marcin Janus, Piotr Madej, Zsofia Santos, Alessio Tucciarelli, Arcadioo Violin, Beata Winiarska
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| Paweł (Warsaw) Michał Libera - A sound travel diary following the traces of rivers and dams - experimental radio drama, installation | |
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| Monologues, lullabies and respite (Koeln) Joanna Stępalska-Spix - bass flute, electronics; program: Jakub Borodziuk: Kyx, Maciej Jabłoński: Soliloquium I, Leanna Keith: Home, Joanna Stępalska-Spix: Leisure, Ewa Trębacz: Lullabies for Nibru | |
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| PąPą (Kraków, Seatle) Oktawia i Marcin Pączkowski Duo, interaction, electronics | |
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| Kamer/Ton (Warszawa) Krzysztof Cybulski - audio-video feedback;
supported by The Ministry of Culture and National Heritage
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| Reparametrization and Rag [a] (Amarillo) Ryan Ingebritsen & Shannon Budd - electronics and flute; program: Reparametrization 4.1 for flute and electronic manipulation in real time; Rag: A Panhandle Sampler for real time interaction (animations by Marcus Melton) | |
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| E1, E2 (Warszawa) Zajwert - analog mix | |
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| CIME/PSeME/SME electroacoustic marathon: Damian Raźny, Arthur Kauffman Novas, Szymon Golec, Marek Chołoniewski - We Mixed 32 Years of Audio Art into ONE Epic Track! (SME): Artur Lis - ἄβῠσσος (abyss)(PSeME); Franciszek Araszkiewicz - Kafka Kabaret (PSeME, Kraków); Mateusz Wit Bednarz - Thought Provoking (PSeME); Aleksandra Chciuk - Synagogue (PSeME); Colin Stokes - Our Little Ones’ Feet (CIME, CEMI UNT); Yevhenii Dubovyk - we are exhausted, but we have no right to be (ми виснажені, але не маємо жодного права на це) (CIME,UAEM); Todor Todoroff - Voices Part IV - Hallucinations (CEMI, FeBeME, Brussels); Vassilis Roupas - Hot Summer Night Revisited (CEMI, HELMCA, Rethymnon); Jon Christopher Nelson - Bang, Crunch, Bounce (CIME, CEMI UNT, Denton); Barry Wan - One Summer's Day I Was Hoping the Justice Will Be Served (SME, Praha); Dorota Błaszczak - Applauze (PSeME, Warszawa); Krzysztof Knittel - from my garbage – untitled impro scraps (PSeME, Warszawa); Dariusz Mazurowski - Sybil Vane’s Final Performance (PSeME, Gdańsk); Marzena Majcher - Body Music (PSeME, Warszawa); Lidia Zielińska - jako te białe myszki (PSeME, Poznań); Paulina Wacławik - Retrospection—Landscape I (PSeME, Leeds); Piotr Grella-Możejko - PutInPullOut (PSeME, Edmonton); Piotr Madej - W naszej nowej jaskini strumyk cicho szemrze (PSeME, Kraków) | |
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Friday, 22 November / listopad (piątek) |
12:00–13:30Akademia Muzyczna |
| Reinhold Friedl (Berlin) Concrete Spatialization - the approach of "Golden Quinces Earthed" and "Eight Equidistant Pure Wave Oscillators, While Slipping Very Slowly To A Unison, Textually Spatialised On Eight Speakers, Concret, 60 Minutes” - Audio Art Conference | |
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13:30–15:00Akademia Muzyczna |
| Ryan Ingebritsen & Shannon Budd (Chicago) Being the Performer. Tips and Strategies to develop Auditory Kinesthesia in Interactive Performance - Audio Art Conference | |
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| Masss (Kraków) Elektro set - the prototypical effect of the cooperative of Piotr Peszat, Aleksander Wnuk and Pierluigi da Palestrina | |
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| Golden Quinces Earthed (Berlin) Reinhold Friedl - concert/installation | |
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| Music of Strings [solo] (Warsaw) Wojtek Błażejczyk - string instruments & electronics | |
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| Night Soundscapes (Gdańsk) Izabela Dłużyk - night field recording | |
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Saturday, 23 November / listopad (sobota) |
12:00–13:30Akademia Muzyczna |
| Wojciech Błażejczyk (Warszawa) Liturgy of the Object. Composing for objectophony and orchestra - Audio Art Conference | |
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13:30–15:00Akademia Muzyczna |
| Qba Janicki (Bydgoszcz) Feedback loop and electromechanics as performance apparatus for amplified percussion - Audio Art Conference | |
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16:30–18:00Akademia Muzyczna |
| Julian Paprocki (Łódź) Relation and Dependence: Multimedia Music in the Age of Digital Panopticon - Audio Art Conference | |
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| music for piano, cymbal, spring, flower, metal sheet, cracker, tube, and other objects (Berlin) Reinhold Friedl - piano | |
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| Surface of timbre (Łódź) Julian Paprocki - contrabass clarinet & electronics; program: Jan Stańczyk – Ḥaqel D'ma, Michał Janocha – Alcheringa, Maciej Jabłoński – Pestera cu Oase, Ewa Trębacz – Tharsis, Wojciech Błażejczyk – Contrails | |
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| Emotional Mechanics (Bydgoszcz) Qba Janicki - objects, surfaces, strings, rotations, loops, distortion loops, electronics | |
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| afterparty coordinated by Konrad Gęca, Szymon Hałaszuk, Igor Wiktor, Kamil Kowalski, Mikro Orchestra, no visuals, Myroslaw Trofymuk aka AЙKTRONER, KUSHNIR;
22:15 Konrad + no;
22:45 Mikro Orchestra + no;
23:30 Igor + kamil;
00:15 Myroslav + no;
01:00 KUSHNIR + no;
01:30 the end | |
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Sunday, 24 November / listopad (niedziela) |
16:30–18:00Akademia Muzyczna |
| Hugo Morales Murguia (Mexico) Sound creation systems, instrumental objects and physical sound processing - Audio Art Conference | |
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| Game Over (Amsterdam) Gośka Isphording - (PL/NL) - harpsichord , electronics,
Hugo Morales Murguía - ( MEX/ NL) - electronics,
Aled Smith - ( UK/PL) - electronics;
program:
Nina - Fukuoka - How to jouissance (2019); Hugo Morales Murguía - Game Over (2024);
Aled Smith - Lash Your Face With Razor Wire ( 2023);
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| Inside Out LT (Barcelona) Josep-Maria Balanyà - piano | |
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Mikro Orchestra (Wrocław) Paweł Janicki, Mariusz Jura, Jarosław Kujda, Małgorzata Kujda, Tomasz Procków | |
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